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Imaging History
Jaw Aka Faizal Nahman and his daughter Nonom 2010 © Simon Norfolk.
Courtesy Mc Bride Fine Art

Imaging History

Shimon Attie » Felice Beato » Raphaël Dallaporta » Francis Frith » William Henry Jackson » Sally Mann » Bart Michiels » Charles Nègre » Simon Norfolk » Auguste Salzmann » Bruno Vandermeulen » Danny Veys » Carleton E. Watkins »

Exhibition: – 3 Jun 2012

Photo Museum Antwerp

Waalsekaai 47
2000 Antwerp

FOMU Fotomuseum Antwerp

Waalsekaai 47
2000 Antwerp

+32(0)3-2429300


www.fotomuseum.be

Tue-Sun 10-18

Imaging History
Slide Projection of former Hebrew Bookstore © Shimon Attie
courtesy of the artist and Jack Shainman Gallery NY

Capture the past. That was the assignment photographers Bruno Vandermeulen and Danny Veys were given at the archaeological site of Sagalassos in Turkey. How does a photographer approach the past? When photographing the ancient city, Vandermeulen and Veys decided not just to record the archaeological finds, but to question the very objectivity of the lens itself. This was the starting point for Imaging History’.
How does one look at something that is no longer there? Do we have enough imagination, or does it vary according to the vision of the photographer? Along with Vandermeulen and Veys, four internationally renowned photographers - Shimon Attie (USA, °1957), Raphaël Dallaporta (FR, °1980) Sally Mann (USA, °1951), Bart Michiels (BE, °1964) et Simon Norfolk (NGA, °1963) - present a series of images and approach their work from these very questions.

As a counterpoint, FoMu presents a selection of photographs from the collection in which photography was used to capture and inventory the past. This presentation is made in the context of the objectives FoMu has been pursuing since its inception. The works on display will include photographs by Charles Nègre, Francis Frith, Felice Beato, Carleton Watkins, William Henry Jackson et Auguste Salzmann.

Imaging History
Sally Mann: Untitled (Wilderness #31), 2002
© Sally Mann. Courtsey Robert Bayer, Bildpunkt AG Basel / Galerie Karsten Greve AG St. Moritz
Imaging History
Passchendaele 1917, Tyne Cot, 2005 © Bart Michiels
Courtesy Fifty One Fine Art
Imaging History
Lower Agora © Bruno Vandermeulen en Danny Veys