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The Everyday Fantastic
Julie Blackmon, New Chair, 2014, archival pigment print. © Julie Blackmon, courtesy Robert Mann Gallery

Julie Blackmon »

The Everyday Fantastic

Exhibition: – 27 Aug 2017

Hood Downtown

53 Main Street
NH 03755 Hanover
Wed-Sat 11-19, Sun 13-17

Hood Museum of Art - Dartmouth College

6 East Wheelock Street
NH 03755 Hanover



Wed 11-17; Thu.Fri 11-10; Sat, Sun 11-17

The Everyday Fantastic
Julie Blackmon,The Hamster Handbook, 2014, archival pigment print. © Julie Blackmon, courtesy Robert Mann Gallery

Julie Blackmon: The Everyday Fantastic features work from this major American photographer's most recent, and ongoing, series, titled Homegrown. Blackmon was raised in Springfield, Missouri, and has decided to remain there and make that world the setting for her work. She approaches Middle America with a poetic combination of wonder and worry as she explores the perpetual mysteries of daily life in a particular place.

In Homegrown, her third series, Blackmon evokes a domestic world gone just slightly awry. There is nothing disastrous in her mise-en-scenes--yet. But each image suggests potential intrigues that percolate just below the level of the obvious. The artist's brilliance lies in allowing viewers the sense that they are making their own discoveries rather than entering into a world that has been carefully constructed by the artist.

Of course, Blackmon works diligently to ensnare us in just such a conundrum. Her richly detailed photographs depend on careful staging and the acceptance of serendipity. Her works exist somewhat outside of time--or, at least, they are not obviously or specifically of today. We find few clues about our present lives on view. Rather, the "sets" abound with the detritus of pre-Internet play. The children in her narratives get bored, make pretend, stage performances, and generally rely on the imagination to fill their days. Ultimately, the characters in her work mirror in their play the very practice adopted so successfully by the photographer.

This exhibition was organized by the Hood Museum of Art, Dartmouth, and generously supported by the Charles Gilman Family Endowment.

Curated by John R. Stomberg Ph.D, Virginia Rice Kelsey 1961s Director